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Archive for the ‘Neigong’ Category

Effortlessly

October 27th, 2008 No comments

Fong Ha

Qigong Master John Chang

October 24th, 2008 No comments

 

John Chang (Djiang or Chiang)
Links:
Qigong Master John Chang (orginal) youtube.com

Books:
The Magus of Java: Teachings of an Authentic Taoist Immortal
ISBN 0892818131

Categories: Martial Arts, Neigong, Qigong Tags:

Kundalini Yoga Breath of Fire Primer

October 24th, 2008 No comments

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The ego is a monkey

October 19th, 2008 No comments

The ego is a monkey catapulting through the jungle: Totally fascinated by the realm of the senses, it swings from one desire to the next, one conflict to the next, one self-centered idea to the next. If you threaten it, it actually fears for its life. Let this monkey go. Let the senses go. Let desires go. Let conflicts go. Let ideas go. Let the fiction of life and death go. Just remain in the center, watching. And then forget that you are there.

Hua Hu Ching X

Categories: Neigong, Poetry Tags:

Standing Meditation

August 13th, 2008 No comments


Kenneth Cohen youtube.com

http://www.qigonghealing.com/

Categories: Book, Martial Arts, Neigong Tags: ,

The Human Body Energy Centers

August 4th, 2008 No comments

Chakra wikipedia.org

Opening the Chakras eclecticenergies.com

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Postures of the Cheng Man-Ching Tai Chi 37 Form

July 25th, 2008 No comments

Zheng Manqing

Traditional Chinese 鄭曼青
Simplified Chinese 郑曼青
Pinyin Romanisation (Mandarin) Zhèng Mànqīng
Wade-Giles Romanisation (Mandarin) Cheng4 Man4-ch’ing1
Other versions Zheng Manqing
  Cheng Man Ching, CMC

 

Cheng Man Ching's 37 Posture Form Chart

Section One

      

1 預備勢 yù bèi shì preparation
起勢 qǐ shì commencement
2 攔雀尾 lán què wěi grasp the sparrow’s tail 
• ward-off (left side) 
• ward-off (right side) 
• roll back 
• press 
• push
3 單鞭 dān biān single whip
4 提手 tí shǒu raise arms
kào lean
5 白鶴亮翅 bái hè liàng chì white crane spreads wings
6 摟膝拗步 lōu xī ào bù brush knee twist step
7 手揮琵琶 shǒu huī pípá hand strums the pipa
8 摟膝拗步 lōu xī ào bù brush knee twist step
9 進步搬攔捶 jìn bù bān lán chuí advance, deflect, parry and punch
10 如封似閉 rú fēng sì bì apparently closing
11 十字手 shí zì shǒu cross hands

Section Two

  

12 抱虎歸山 bào hǔ guī shān embrace tiger, return to mountain
攔雀尾 lán què wěi grasp the sparrow’s tail 
• ward-off 
• roll back 
• press 
• push
13 斜單鞭 xié dān biān diagonal single whip
14 肘底捶 zhǒu dǐ chuí fist under elbow
15 倒攆猴(五) dào niǎn hóu step back and repulse monkey (5)
16 斜飛勢 xié fēi shì diagonal flying
17 雲手(四) yún shǒu cloud hands (4)
18 單鞭 dān biān single whip

 

Section Three

19 蛇身下勢 shé shēn xià shì snake creeps down
20 金雞獨立 jīn jī dú lì golden rooster, single stance 
• right side 
• left side
21 分腳 fēn jiǎo separate leg 
• right side 
• left side
22 轉身蹬腳 zhuǎn shēn dèng jiǎo turn body and heel kick
23 左右摟膝拗步 zuǒ yòu lōu xī ào bù left and right brush knee and twist step
24 進步栽捶 jìn bù zāi chuí advance and plant punch
25 上步攔雀尾 shàng bù lán què wěi rise up and grasp the sparrow’s tail 
• ward-off 
• roll back 
• press 
• push
26 單鞭 dān biān single whip

Section Four

 

27 玉女穿梭(四) yù nǚ chuān suō fair lady weaving (4)
28 攔雀尾 lán què wěi grasp the sparrow’s tail 
• ward-off 
• roll back 
• press 
• push
29 單鞭 dān biān single whip
30 蛇身下勢 shé shēn xià shì snake creeps down
31 上步七星 shàng bù qī xīng rise up to the Seven Stars
32 退步跨虎 tuì bù kuà hǔ step back and ride tiger
33 轉身擺蓮 zhuǎn shēn bǎi lián turn body and swing over lotus
34 彎弓射虎 wān gōng shè hǔ bend bow shoot tiger
35 進步搬攔捶 jìn bù bān lán chuí advance, deflect, parry and punch
36 如封似閉 rú fēng sì bì apparently closing
37 十字手 shí zì shǒu cross hands
合太極 hé tài jí conclude tai chi

Reference: singongtaichi.com New Zealand

The number of postures in different Tai Chi styles varies greatly. The original Tai Chi form consisted of 13 postures, based on the 8 trigrams and 5 elements. One of the most widely practiced styles of Tai Chi, Yang Style Long Form, uses a form with 108 postures and generally takes at least 20 minutes to complete.

Professor Cheng Man-Ching studied the Yang Style Long Form with Yang Cheng-Fu, of the famous Yang Family lineage. Professor Cheng was one of Yang Cheng-Fu’s most accomplished students, and was given special permission to shorten the form so that he could teach it more rapidly to the Chinese military during World War II. This shortened 37-posture form eliminated many of the repititions that existed in the long form, while maintaining its essence. Professor Cheng taught it for the rest of his life, continually modifying it in terms of the general shapes of the postures and ultimately transforming it into a form designed primarily for the cultivation of energy (ch’i) and health, differing from its mother form which was designed primarily for martial purposes. Called the Yang Style Short Form during his lifetime, today the form created by Professor Cheng is called the Cheng Man-Ching form, because although his final version of the form roughly follows the Yang Style Long Form, the essense of it is quite different. In spite of the changes Professor Cheng made, his form does not betray its martial roots. Concealed within the postures are the original martial applications. Combining highly-developed softness, sensitivity, and energy as cultivated by Professor’s form with the hidden martial applications is what makes this form particularly powerful.

Professor Cheng stated that one should take at least 7 minutes to perform his form for health benefits, and 10-12 minutes for “something more”. The 37 postures of Professor Cheng Man-Ching’s form are as follows:

1. Preparation – Also known as wu chi or hun-yuan (Undifferentiated Unity)

2. Beginning – or ch’i shih (where you perform the opening breath). Raise hands back and down, more familiarly known as “the ch’i exercise.”

(3a. Preparation for Ward Off, Left – where you relax your shoulders and gain spatial understandings)

3. Ward Off, Left – Also known as tso peng, the foundation of Yang Tai Chi. This is also a great stance to practice rooting in.

4. Ward Off, Right

5. Roll Back – One of Professor Cheng’s favorite defensive postures: essential for the small to overcome the large

6. Press – an opportunity to transmit power through the wrist of the opposite-side hand

7. Push – a vertical movement, unlike the Yang Style Long Form “Push.” The knee and elbow coordinate in this posture.

Postures 3 through 7 are collectively known as “Grasping the Sparrow’s Tail”, which gives the impression of one playing a tugging game with a bird. Your motions should move forward and backward, like waves lapping at the seashore.

8. Single Whip – An excellent posture for chi circulation

9. Raise Hands

10. Shoulder Stroke – A great inside fighting technique

11. White Crane Cools Wings

12. Brush Knee, Left

13. Play Guitar – Also known as Play “Pipa”

Repeat Brush Knee, Left

14. Step Up and Block

15. Parry and Punch – a neutralization is hidden here

Postures 14 and 15 are collectively called Chin Pu, Pan Nan Ch’ui. Professor Cheng distinctly indicated there are two postures here.

16. Apparent Close-up – Also called “Withdraw and Push”

17. Cross Hands

Posture 17 marks the end of the first section of the kung chia, which we call the “Short Half.” This is because it contains approximately half of the total postures in the form and lacks some of the repetitions we find in the second half (thus requiring less time for its performance).

18. Embrace Tiger, Return to Mountain

This is followed by Roll Back, Press, Push; then Single Whip in the direction of the corner (or diagonal).

19. Fist Under Elbow – A good stance to practice one-legged rooting

20. Step Back and Repulse Monkey, Right – Good for loosening hips and improving digestion (front-back foot placement)

21. Step Back and Repulse Monkey, Left – same as above

Follow these with three more repetitions of Repulse Monkey: Right, Left, and Right.

22. Diagonal Flying

23. Wave Hands Like Clouds, Left – Also good for loosening hips and improving digestion (side-to-side foot placement)

24. Wave Hands Like Clouds, Right

Follow these with three more repetitions of “Cloud Hands”: Left, Right, and Left; then go into Single Whip.

25. Single Whip, Lower Style – Also known as “Snake Creeps Up” (or Down). An excellent posture for increasing flexibility, power and single-weightedness

26. Golden Cock Stands on One Leg, Right – Also known by “Golden Pheasant”, this posture teaches balance

27. Golden Cock Stands on One Leg, Left

28. Separation of the Right Foot – Coordinates the hands with kicking

29. Separation of the Left Foot

30. Turn Body and Kick With Heel – Teaches balance while turning and improves flexibility

This posture is followed by Brush Knee, Left and then Brush Knee, Right.

31. Step Forward and Punch

Next, step up into Ward Off, Right; followed by Roll Back, Press, Push, and Single Whip.

32. Fair Lady Weaves (Works) Shuttle I- A textbook example of how defense proceeds offense in Tai Chi

33. Fair Lady Weaves (Works) Shuttle II – A different hand position (opposing hand position).

These postures are followed by Fair Lady Weaves Shuttle III & IV, which are all done towards different corners. Together they are called the “Four Corners”. The “Four Corners” are followed by “Grasping the Sparrow’s Tail” (Ward Off, Left & Right, Roll Back, Press, and Push), Single Whip, and “Snake Creeps Down” or Single Whip, Lower Style.

34. Step Up to Seven Stars – A devastating solar plexus attack.

35. Retreat to Ride Tiger

36. Turn Body Sweep Lotus Leg – Teaches balance while spinning with a crescent kick.

37. Bend Bow Shoot Tiger

This posture is followed by Step Up, Block, Parry and Punch then Apparent Close-up, and lastly Cross Hands, which leads to the close of the Tai Chi form

Reference: http://74.200.201.165

 

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Taoism

July 25th, 2008 No comments

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Taoist Technique of the Third Eye

July 25th, 2008 No comments

Ancient Remote Viewing.

Dr. Baolin Wu, M.D.(China), Ph.D., L.Ac. is a Chinese medical doctor, Taoist physician, and martial artist with over thirty years of medical experience. A recognized authority on traditional Chinese medicine as well as conventional Western medicine, he combines and redefines the techniques of both systems and is able to apply appropriate treatment to complex medical situations.

While Dr. Wu is a skilled practitioner of acupuncture and Chinese herbal science, what sets him apart is his advanced expertise in medical Qi Kung, which he applies to many difficult and otherwise “untreatable” conditions.

Dr. Wu is a Taoist Master from the White Cloud Monastery in Beijing, which for almost a thousand years has been one of the most respected centers in China for the study and practice of Taoist philosophy and medicine. At age four he was brought to the monastery and cured of leukemia. He spent the next twenty years under the direct tutelage of the abbot of the monastery, learning techniques of which few people today are even aware,

Taoist meditation methods have many points in common with Hindu and Buddhist systems, but the Taoist way is less abstract and far more down-to-earth than the contemplative traditions which evolved in India. The primary hallmark of Taoist meditation is the generation, transformation, and circulation of internal energy. Once the meditator has ‘achieved energy’ (deh-chee), it can be applied to promoting health and longevity, nurturing the ‘spiritual embryo’ of immortality, martial arts, healing, painting and poetry, sensual self-indulgence, or whatever else the adept wishes to do with it.

The two primary guidelines in Taoist meditation are jing (‘quiet, stillness, calm’) and ding (‘concentration, focus’). The purpose of stillness, both mental and physical, is to turn attention inwards and cut off external sensory input, thereby muzzling the “Five Thieves”. Within that silent stillness, one concentrates the mind and focuses attention, usually on the breath, in order to develop what is called ‘one-pointed awareness’, a totally undistracted, undisturbed, undifferentiated state of mind which permits intuitive insights to arise spontaneously.

Reference:
Taoist Technique youtube.com

Tsa Pi Shiu Lin Jing – Interpret energy

July 18th, 2008 No comments

There are many different forms of jing with shenming or Tsa Pi Shiu Lin Jing as the highest form of jing where you sense the opponents jin and yi (intention) before is visible or manifested and you control and release your opponent with Yi (pure intent) or Shen only. (Thomas compilation from different sources)

At this stage the tingjin (listening) has refined into a kind of intuitive sixth sense, jiejin (recieving energy) has be cultivated, and the fajin (relaxed force) has become almost entirely internal. Like the ultimate in dongjin, when your opponents do not move but intent to, you have already moved ahead.

Finally comes the ability to issue without issuing, which is fajin (releasing the relaxed force) by a subconsious direction of the mind, and with out effort.(Taijiquan Wuwei: A Natural Process (okt 2003) Kee-Jin Wee p. 46)

You are able to sense the opponents chi and are able to pass chi into (fajin) or out of him (drain). Thus shocking his internal organs or disrupting his energy flow in the meridians (Dian Xue – pressure point). Understanding the opponents chi pattern with a light touch or without touching at all.

The passive aspect of this jing is the ability to sense the opponents intention (Yi) and resist his chi attacks. ( Advanced Yang Style Tai Chi Chuan: Tai Chi Theory and Tai Chi Jing: 1 (dec 1986) Jwing-Ming Yang p.104 )

Four Character Secret Transmission

Spread. To spread means that we mobilize our chi spread it over our opponents energy and prevent him from moving.

Cover. To cover means that we use our chi to cover our opponents thrust.

Check. To check means that we use chi to check our opponents thrust, ascertain his aim and evade it.

Swallow. To swallow means that we use chi to swallow everything and neutralize.

These four character transmission represents what has no form and no sound. Without the ability to interpret energy and training to the highest perfection, they cannot be understood. We are speaking here exclusively of chi. Only if one correctly cultivates the chi and does not damage it, can one project it to the limbs. The effect of this on the limbs cannot be described in words.

(attributed to Wu Yü-hsiang)

Master Sam Tam are able to to spread the energy over you and prevent you from moving by “sinking the energy”. (Thomas)


Vlad Gaevskiy


Huang Zhen Huan


Morihei Ueshiba

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